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Comedy Nights Live is an Indian stand-up comedy television series, which premiered on 31 January 2016, and is broadcast on Colors TV. The series airs on every Sunday nights. The series replaced Colors TV’s popular show Comedy Nights with Kapil.
Krushna Abhishek hosts the show. Siddharth Sagar, Sudesh Lehri, Upasana Singh, Bharti Singh, Rashmi Desai are some of the comedians of the show. Mika Singh will be the permanent guest on the show. Madhuri Dixit was the first celebrity on show’s first episode.
Stand-up comedy is a comic style in which a comedian performs in front of a live audience, usually speaking directly to them. The performer is commonly known as a comic, stand-up comic, stand-up comedian, or simply a stand-up. In stand-up comedy, the comedian usually recites a grouping of humorous stories, jokes and one-liners typically called a monologue, routine, or act. Some stand-up comedians use props, music, or magic tricks to enhance their acts. Stand-up comedy is often performed in comedy clubs, bars, nightclubs, neo-burlesques, colleges, and theaters. Outside of live performance, stand-up is often distributed commercially via television, DVD, CD and the internet.
In stand-up comedy, the feedback of the audience is instant and crucial for the comedian’s act. Audiences expect a stand-up comic to provide a steady stream of laughs, and a performer is always under pressure to deliver. Comedic actor Will Ferrell has called stand-up comedy “hard, lonely, and vicious”.
While a stand-up comedy show may involve only one comedian, most shows feature a “headline” or a “showcase” format. A headline format typically features an opening act known as a host, compère (UK), or master of ceremonies (MC), who usually warms up the crowd, interacts with the audience members, makes announcements, and introduces the other performers. This is followed by one or two “middle” or “featured” acts, who perform 15- to 20-minute sets, followed by a headliner who performs for longer. The “showcase” format consists of several acts who perform for roughly equal lengths of time, typical in smaller clubs such as the Comedy Cellar, or Jongleurs, or at large events where the billing of several names allows for a larger venue than the individual comedians could draw. A showcase format may still feature an MC.
Many smaller venues hold “open mic” events, where anyone can take the stage and perform for the audience, offering a way for amateur performers to hone their craft and possibly break into the profession, or for established professionals to work on their material.
As the name implies, “stand-up” comedians usually perform their material while standing, though this is not mandatory.
The United Kingdom has a long heritage of stand-up comedy, which began in the music halls of the 18th and 19th centuries. Notable performers who rose through the 20th-century music hall circuit were Morecambe and Wise, Arthur Askey, Ken Dodd, and Max Miller, who was considered to be the quintessential music-hall comedian. The heavy censorship regime of the Lord Chamberlain’s Office required all comedians to submit their acts for censorship. The act would be returned with unacceptable sections underlined in blue pencil (possibly giving rise to the term “blue” for a comedian whose act is considered bawdy or smutty). The comedian was then obliged not to deviate from the act in its edited form.
At the end of World War II, many members of the Armed Forces had developed a taste for comedy (stand-up or otherwise) in wartime concert parties and moved into professional entertainment. Eric Sykes, Peter Sellers and the other Goons, and Tommy Cooper all began their careers this way. The rise of the postwar comedians coincided with the rise of television and radio, and the traditional music hall circuit suffered greatly as a result. Whereas a music hall performer could work for years using just one act, television exposure created a constant demand for new material, although this may have also been responsible for the cessation of theatrical censorship in 1968.
By the 1970s, music hall entertainment was virtually dead. Alternative circuits had evolved, such as working men’s clubs. Some of the more successful comedians on the working men’s club circuit — including Bernard Manning, Bobby Thompson, Frank Carson and Stan Boardman — eventually made their way to television via such shows as The Wheeltappers and Shunters Social Club. The “alternative” comedy scene also began to evolve. Some of the earliest successes came from folk clubs, where performers such as Billy Connolly, Mike Harding, and Jasper Carrott started as relatively straight musical acts whose between-song banter developed into complete comedy routines. The 1960s had also seen the satire boom, including the creation of the club, The Establishment, which, amongst other things, gave British audiences their first taste of extreme American stand-up comedy from Lenny Bruce. Victoria Wood launched her stand-up career in the early 1980s, which included observational conversation mixed with comedy songs. Wood was to become one of the country’s most successful comedians, in 2001 selling out the Royal Albert Hall for 15 nights in a row.
In 1979, the first American-style stand-up comedy club, the Comedy Store, London was opened in London by Peter Rosengard, where many alternative comedy stars of the 1980s, such as Dawn French and Jennifer Saunders, Alexei Sayle, Craig Ferguson, Rik Mayall, and Ade Edmondson began their careers. The stand-up comedy circuit rapidly expanded from London across the UK. The present British stand-up comedy circuit arose from the ‘alternative’ comedy revolution of the 1980s, with political and observational humor being the prominent styles to flourish. In 1983, young drama teacher Maria Kempinska created Jongleurs Comedy Clubs, now the largest stand-up comedy chain in Europe. Stand up comedy is believed to have been performed originally as a one-man show. Lately, this type of show started to involve a group of young comedians, especially in Europe.